How to Prepare For Pointe Shoes and Prevent Dance Injuries

Prepare, prepare, prepare, for dancing ballet in pointe shoes.

Learn how to prevent dance injuries like a sprained ankle or a ballet knee injury years before you, or your child is looking for exactly the right fit in pointe shoes.

Even recreational dancers who may leave ballet classes for hip hop, jazz, salsa, cheer leading or any other style of dance, benefit from learning how to do basic classical ballet technique correctly.

The basic ballet movements and ballet positions can be executed correctly by almost any dance student. Students who do not have the physical attributes of turnout, flexibility, long legs/short body, long arms and long necks, can still learn to do ballet correctly enough to advance.

In some ballet schools, teachers actually believe that a student will never be able to do certain ballet movements because they lack "X" physical attribute. Unfortunately some students absorb this negativity whether the teacher voices it or not. It's a shame.

If you feel like you are not progressing and you do not get the coaching you need in ballet class, read, read, read. There is detailed information available about ballet technique and also there is plenty of help in the area of anatomy and anatomical correctness in ballet movement.

The all too common sprained ankles and knee injuries of ballet/sports/fitness can be avoided, for you.

The trick is how to get YOUR body to do THAT. If you are a few degrees too many from the ballet ideal, your teacher may not be able or may not be willing to help you. However, you can learn what you need to do to develop the correct application of for instance, a demi plie, onto a correctly postured releve with a correctly stretched arch and ankle.

If you aspire to become a performer in another dance style such as jazz or hip hop, your longevity in dance will depend on the correct use of your body.

If you aspire to dance ballet in pointe shoes, you need to be sure that your time and effort and the thousands of plies, degages and battement tendus are not being practiced with errors that will lead to injury.

Your basic dance movements imitate the advanced and sometimes intricate classical choreography. Modern ballet and modern dance choreography often cannot be imitated by basic ballet movements, but you are more prepared for that if you know how to move and prevent injury.

Take advantage of the wealth of information available at this blog, in books (print and downloads) and on DVDs. You can learn what you need to know to prepare to dance in pointe shoes and prevent ballet injuries.

Prevent Ballet and Dance Injuries in Your Nutcracker Season

Learning how to minimize the chance of dance injuries is an acquired skill. Warming up, having healthy snacks in your dance bag, and perhaps having an extra pair of pointe shoes ready to wear, will help you avoid ballet injuries.

Rehearsal schedules intensify as the Nutcracker season approaches. Everyone wants to do their best.

Muscle aches and pains after classes and rehearsals should not be ignored. Soaking sore and exhausted muscles in epsom salt baths, ( a form of magnesium) elevating your legs while sitting, and using a pinkie ball to rid your muscles of tension is exactly what your muscles deserve.

Knee injuries, sprained ankles and shin splints all result from inaccurate technique, that do not necessarily show up until dance schedules intensify. A little fatigue, emotional distractions, anxiety, poor sleep or poor diet all contribute to that moment of error or mis-timing when an accident happens.

Fresh foods are necessary to keep your strength up. Sugar weakens muscles and also contributes to inflammation. Do your best to eat well. Magnesium is a nutrient that helps relax muscles and can lead to better sleep. Green vegetables and salad foods are full of trace minerals that help carry lactic acids and other cellular wastes out of tired muscles. Lean proteins, and whole grain carbohydrates will put more nutritional support in your diet.


Dance medicine specialist and author Deborah Vogel writes:

"Four Warning Signs of an Injury

* Pain that gets progressively worse during class, rehearsal, work out, etc.
* Pain that comes after your class, rehearsal, or work out, and comes back the next day after less movement is done.
* Pain that appears when executing certain movements (e.g. during arabesque or landing a jump).
* No real sense of "pain" but a definite restriction of movement."

Pay attention to your body's signals. Ice tired and tense muscles even if they don't hurt. Take some deep breaths when you sit down to relax, or when you go to bed. Use a pinky ball to ease out tension, then do some very gentle stretching afterwards. Have a real day of rest, and catch up with non-dance activities.

Even when you are a recreational dance student, you get the most out of it if you act like pro. Ask your family graciously for extra help or rest time that you need, and let them know how much you appreciate their support.

This way you will really get to enjoy your experience of performing in ballet shoes and pointe shoes.

Read more about injury prevention, strength for pointe work, and muscle care at The Ballet Store.

Ballet Pointe Shoes Depend On You Building Strength and Understanding Ballet Technique

Gaynor Minden ballet pointe shoes are preferred by some dancers. The shank does not wear out, and the platform and box are built so that they will not soften and allow the dancer to go up and down from flat to pointe while sickling the ankle. The most common ballet injury is a sprained ankle, so this is a helpful shoe.

Of course, not every sprained ankle is pointe shoe related. Nor does every dance student work well in Gaynor Minden shoes. Good for some, not for others.

In ballet, there is a fashion of line in arabesque, of sickling out the working - the raised - foot. It may also be sickled out in devant or a la seconde. The sickle out emphasizes the turned out foot. As long as this never happens to a supporting foot on demi pointe, or pointe, this is fine.

Especially for those dancers with hypermobile ankles and feet, they must be careful not to sickle out as they come down from pointe, while rolling through demi pointe. Even when the weight is being transferred from the foot, to the other leg, the ankle and arch should be in line with the leg, not sickled out.

A foot in correct alignment can be sickled out the second after the weight has left the foot - but not even at the last nano-second when the pressure of weight can go onto the inner side of the pointe shoe platform, should the ankle/foot sickle out.

This takes exceptional concentration in training. But, so does every correct finer detail of technique.

Pre-pointe training involves checking for alignment of the ankles in slow press ups - starting parallel. If alignment is correct, turn out, and practise press ups in first, second, and fifth. Check for alignment of the ankles.

Practise press ups on one foot, parallel, and observe the ankles. Strength follows with repetition. Repetitions done incorrectly set you up for injuries.

So while a shoe like Gaynor Minden has been crafted to help the dancer, like any brand shoe, it cannot prevent injury if your working habits are not technically correct.

The pointe shoe is only as good as the foot that wears it! Hopefully you'll never have a sprained ankle. Paying attention to the finer details of your ballet technique will help you build strength in the pointe shoes of your choice.

Get the information you need on correct training in ballet pointe shoes.