Showing posts with label muscle memory. Show all posts
Showing posts with label muscle memory. Show all posts

Sunday, June 1, 2008

Professional Footwork, Muscle Memory For Ballet, and Neural Pathways

Improve your ballet dancing and pointe work, and even your tennis footwork. Tennis players learn ballet to refine their professional footwork, too. By understanding the part of the foot in finely reflexive movement, you will prevent muscle exhaustion in the lower leg. Muscle memory will be precise, and your neural pathways will be well built for all that ballet traffic.

The finer details for strong pointe work starts in your first ballet classes, years before most students progress to dancing in pointe shoes. If you are an adult late starter in ballet, this information will help you get ahead. Here are some items to review that pertain to you building strength:

1. The foot bearing the body weight, on flat and in demi plie, in a tripod balance of between the ball of the foot, the point between the little toe and fourth toe, and the heel;

2. The intrinsic muscles of the foot being strengthened so as not to exhaust the calf and tibial (shin) muscles. This allows the foot muscles to be capable of, for example, pressing up to full pointe, pressing back down to demi pointe and back up to full pointe for at least 8 repetitions before getting exhausted. And in turn, this creates a controlled and soft descent from pointe into demi plie or flat.

3. Keeping the toes long in soft shoes and pointe shoes, not buckled;

4. Always having the ankles in a straight line, never sickling out the supporting feet for the curved line dancers like in a working foot;in other words always being on the center of the foot in demi pointe, and fully on the platforms of the pointe shoes;

5. Getting exactly the right fit and type of pointe shoes so the feet are not fighting the shoes: this includes toe levelers or spacers if needed. Avoid dancing in pain!

I have to mention that the correct postural plumb line and turnout must be maintained, or the foot and ankle muscles will be exhausted and over compensating, fighting for balance. So dancing ballet in pointe shoes is a full body workout!

Consider a healthy diet to support your training. Healthy fats and oils must not be avoided. Omega 6/omega 3 balance is vital. These oils naturally help strengthen cell membrane integrity, repair cellular and tissue damage, help optimize neurological transmission and brain function, help improve heart and circulatory function, and ( a wonderful bonus anyone would want) help produce supple, moist skin. These oils also help in lubricating joints, and are anti-inflammatory - the exerciser's dream food.

Developing correct muscle memory and neural pathways is like building the best software program for your computer. Safe and agile movements become automated. This means you are much less likely to injure yourself if you are dancing on a day when you are tired or distracted.

Whether learning classical ballet or tennis, you can excel in professional footwork by understanding your brain and your feet. You can learn how to improve any aspect of your training.

If you would like to learn more about healthy oils read here.

Sunday, May 11, 2008

How Can I Improve The Basics Of Pirouette Exercises - Especially In Pointe Shoes?

Even if you are never going to dance ballet in pointe shoes because of gender, casting, dance style or because you are starting ballet at a later age, how to improve pirouettes is important. Pirouettes are fun, showy, and prominent in classical ballet choreography as well as other dance styles.

The postural plumb line is where you start, in looking at what is going to make a pirouette succeed. Firstly, can you stand with good posture?

If so, can you rise up and down, firstly in a cou de pied position, on one leg, without losing your postural plumb line? If so, can you do a series of releves holding a good position, without neck or shoulder strain?

If you do lose it, correct your posture, then see if you lose it going into your demi plie. Is your weight sitting back? Do you lose any placement at the hips? Do you lose any turnout?

If any of the three things above occur, you need to get those fixed and forget about pirouettes until you build strength to maintain the basics of posture, turnout and a correct demi plie. You will still do your pirouettes in your ballet class, but for your daily practice routines, you need a step-by-step approach to get stronger.

If everything is good so far, raise your leg into a retire position and check that no placement gets lost at the hips. If this occurs, you need more stretching in the hip and pelvic area. Or, perhaps you need to rearrange the tension at the hips and you will find that you can get your hips level after all.

While the feeling of the spin is important and not to be lost for the sake of good technique, it is still vital that you be able to do sixteen, twenty-four, and then thirty-two strong releves in retire on both sides, without strain. You need a relaxed neck and shoulders to spot properly in multiple turns.

Especially in pointe shoes, you need to do these repetitive releves, to see that you can stay on one spot and not travel around. If you have trouble with this, use the barre. Check your balance at the bottom of your demi plie, as well as in the releve position. Seeing where your weight wants to go tells you where the weakness, or excess tension is. To build strength is important, and to train the muscle memory properly is too.

The reason why I recommend back-peddling to basic exercises in order to correct or build on an exercise, is because practicing things incorrectly is a waste of time. Asking your teacher for help or getting another student to buddy with you on practicing and correcting each other, is really worth the while.

It is more fun just doing turns, but technical inaccuracies will catch up with you and hold you back. Instantly, when you put on pointe shoes.

On your rest day, be sure to relax, stretch out the tired and tense muscles, using a rubber ball for the tight and tender spots. Ice the sore spots for 15 minutes, two or three times a day.

If you have worked so hard in ballet class or rehearsal that your legs are throbbing, lie down and stick them straight up the wall for a few minutes. It is easy to fall asleep that way...

Whenever you find yourself thinking "how can I improve..." just go back to the basic, slow motion movement to discover what classical ballet principle of technique is missing. Regardless of your dance style, simple ballet exercises done well, build strength. And then it is even more fun.

Click here to get the definitive home practice manual written by an expert dance medicine specialist, The Perfect Pointe Book.