I am so happy to hear from the many would-be ballerinas of the world. Many of the concerns I get asked about have to do with pointe shoes. The local ballet store may not carry many brands, and ballet students may have trouble finding exactly the right fit.
If you asked a world class ballerina if she got exactly the right fit from shoes made just for her, you might be surprised to find that even they do some work on their pointe shoes.
Seeing that many stores have no shoe fitter, or one with the same problem as you have - limited stock - it is a good idea to step on a piece of paper and draw your foot outline. Both feet - since most people have a different shape or size from the right foot to the left. This gives you and the fitter an idea to start choosing shoes from.
Of course other factors then come into the picture. High instep or low, will determine how deep a shoe you need. Long toes, short toes, uneven toes, will determine the length, width and shape of the box part of the shoe - the part that will encase your toes.
Flexibility of the ankle joint along with the general mobility of the arch and foot bones will determine how hard a shank you need. Since shanks can be softened, it is better to try a harder one, if you are in doubt.
The fitter or helper will show you how to point your foot in the pointe shoe, with the platform on the floor, without putting weight on the shoe. You can do this sitting or standing. It's always good to try on the pair - remember that feet are not mirrors of each other.
Try whatever toe padding that the store will allow. It's idealistic, but unrealistic to plan on taking pointe class without any padding at all. Ouchpads, Lamb's Wool, toe spacers or levelers if you have a long second toe or long big toe, are not just luxuries. They will protect all your foot bones by distributing your weight among the toes in the best way possible.
Pointe shoes are not meant to fit quite like a glove. Snugly, yes, but you must be able to do a demi plie in fifth and second position without excruciating pressure on the ends of your toes. On pointe, the toes should not be loose in the box (too long or too wide) either, or your feet will not be supported.
Even though this sounds like getting exactly the right fit is a tricky risk, it is not. If you have few brands to choose from, you can find a workable fit. Breaking the shoes in properly and good foot care matters too.
More importantly, be sure you are ready to start ballet classes in pointe shoes.
Pre-pointe exercises should be done for a few months. If your teacher, parents or your health practitioner have any doubts about you being prepared for pointe work, it is better to wait. Sufficient strength is paramount.
Students who are no longer growing have the extra advantage of ordering on line and trying different brands.
Ballet stores that supply small local schools will not carry every brand available. Understanding how to accommodate having a smaller choice with patience, and knowing how to fit the shoes will get you what you need.
Your pointe shoe - pointe shoe sizing, ballet stretches, preventing dance injuries, increasing ballet turnout, adult ballet beginners, men in ballet, boys in ballet, and cheer leaders too.
Showing posts with label exactly the right fit. Show all posts
Showing posts with label exactly the right fit. Show all posts
Tuesday, August 26, 2008
Monday, May 12, 2008
Technique For Pointe Work - Including For Men In Ballet
There are several famous male ballet dancers who have practiced classical ballet in pointe shoes. Some required it in their roles - for example, for the donkey Bottom in A Midsummers Night's Dream. Some choreographers have put on pointe shoes in order to empathize with their ballerinas. And many men in ballet want to take advantage of the opportunity to stretch their ankles and build strength.
I know many dance teachers would love to see some boys/men in ballet take pointe classes. Men in ballet actually can get exactly the right fit in pointe shoes, or let's say most can.
Why would men want to put on pointe shoes and do those cruel-looking exercises?
Some men in ballet might have the ambition of getting into Les Trocs (Les Ballets Trockaderos du Monte Carlo, all men, many ballerina roles). Pointe work is an absolute necessity.
The majority of men in ballet do not have the mobile ankles that typically females have. A high curve, or ANY curve on the top of the ankle and instep is a plus, to meet the ballet fashion.
Female dance students quickly learn how to use pointe shoes to stretch the top of the ankle and instep, if they need more flexibility in the ankles. In second position, rise onto pointe, and plie, allowing the weight to go over the platform of the pointe shoe. If the ankle is not flexible, the weight of the body, supported by the pointe shoe, gives it a fabulous stretch.
And to build strength, if ankle flexibility is sufficient, rise onto pointe, and plie but stay on the platform of the shoe. This requires restraining the ankle joint and holding it exactly where you want it. For ballerinas, this is a requirement for control in general, and a necessity for the repetitive tiny hops on pointe found in classical ballet choreography.
While there are perfectly good exercises to strengthen the intrinsic muscles of the feet without using pointe shoes, basic exercises on pointe are excellent for strengthening the feet. I recommend strengthening the feet before going onto pointe, but keep it up once you have started pointe classes. A simple exercise like rising onto pointe, slowly pressing down to demi pointe (as opposed to dropping down) and then pressing back up onto full pointe, will build strength. Adding repetitions as you can, you will develop strength and control.
Getting back to men in ballet - you will need to learn all about foot and toe types, and all the tips and tricks of toe leveling, toe spacers, and toe padding. Avoid dancing in pain! You are surrounded by experts - all the girls you study with!
I think many boys and men in ballet need to hear it from their teachers - that this would be a good idea! Not for the lucky men with the hyper-mobile arches, necessarily. Even for them, however, it would introduce an understanding of what ballerinas need, to check out the delicate balance that men learn to support, as a partner.
If you are among the men in ballet and already learning technique for pointe work - good for you!
Go here for more information on excelling at pointe work and all the relevant technique details that you need.
I know many dance teachers would love to see some boys/men in ballet take pointe classes. Men in ballet actually can get exactly the right fit in pointe shoes, or let's say most can.
Why would men want to put on pointe shoes and do those cruel-looking exercises?
Some men in ballet might have the ambition of getting into Les Trocs (Les Ballets Trockaderos du Monte Carlo, all men, many ballerina roles). Pointe work is an absolute necessity.
The majority of men in ballet do not have the mobile ankles that typically females have. A high curve, or ANY curve on the top of the ankle and instep is a plus, to meet the ballet fashion.
Female dance students quickly learn how to use pointe shoes to stretch the top of the ankle and instep, if they need more flexibility in the ankles. In second position, rise onto pointe, and plie, allowing the weight to go over the platform of the pointe shoe. If the ankle is not flexible, the weight of the body, supported by the pointe shoe, gives it a fabulous stretch.
And to build strength, if ankle flexibility is sufficient, rise onto pointe, and plie but stay on the platform of the shoe. This requires restraining the ankle joint and holding it exactly where you want it. For ballerinas, this is a requirement for control in general, and a necessity for the repetitive tiny hops on pointe found in classical ballet choreography.
While there are perfectly good exercises to strengthen the intrinsic muscles of the feet without using pointe shoes, basic exercises on pointe are excellent for strengthening the feet. I recommend strengthening the feet before going onto pointe, but keep it up once you have started pointe classes. A simple exercise like rising onto pointe, slowly pressing down to demi pointe (as opposed to dropping down) and then pressing back up onto full pointe, will build strength. Adding repetitions as you can, you will develop strength and control.
Getting back to men in ballet - you will need to learn all about foot and toe types, and all the tips and tricks of toe leveling, toe spacers, and toe padding. Avoid dancing in pain! You are surrounded by experts - all the girls you study with!
I think many boys and men in ballet need to hear it from their teachers - that this would be a good idea! Not for the lucky men with the hyper-mobile arches, necessarily. Even for them, however, it would introduce an understanding of what ballerinas need, to check out the delicate balance that men learn to support, as a partner.
If you are among the men in ballet and already learning technique for pointe work - good for you!
Go here for more information on excelling at pointe work and all the relevant technique details that you need.
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